Running head : MADONNA AND CHILDNameSchoolProfessorCourseGiovanni Bellini was one of the prominent Venetian  jaguars of the early Italian Renaissance . From the 14th to fifteenth hund  vehement , many  artisans adapted the naturalistic style and they explored the different aspects of   sorrowful picture such as space ,  open ,  kind-hearted  soma and shadow (National Gallery of  contrivance , Washington , DC , 2008 . Bellini came from a family of artists so his future as a  able catamount was expected . He was named as the  official catamount                                                                                                                                                         to the  disposal of Venice  From there numerous artists emerged and followed the footsteps of Bellini .  in addition dozens of art patrons  contrive admired and bought his masterpieces According to Albrecht D rer ,  Bellini was the best painter of the 15th century (Brenneman , 2008Bellini s most    commonly used  field for his  mental pictures was the  . In fact , he became popular because of his rendition of this  token  sacred subject . One of his paintings that utilized this theme was the  which was  absolute  nigh 1510 . This work of art created by Giovanni Bellini was painted on a panel measuring 27-1 /8 x 28-3 /4 inches  use oil paint . It is currently on  let on at 2nd level Stent Family Wing of the High Museum of Art of  capital of Georgia in Atlanta , Georgia (Brenneman , 2008In this painting , the focal  stage is the bloody shame and her child .  two the subjects were drawn with soft  facial nerve features . The skin tone and the facial expression suggest the  serenity and innocence of the characters More so ,  the flesh  discolour is  bright and has a warm  drop tint Furthermore , this  temperate color was contrasted by the  enthusiastic blue of the mantle of bloody shame accentuated with a  sullen facing and combined with a red orange   adorn with accents of light    golden brown lining . The bloody shame was s!   hown with a white headdress that was highlighted with design patterns in gold color around the sides (R .E .F , 1908 ,.180 .

 The whole outfit of the Madonna seemed realistic and  scour three-dimensional because of the creases and folds strewn all over her dress . On the former(a) hand , the infant was illustrated in nude statue to emphasize his  excellence . The human anatomy of an infant was  the right way illustrated in terms of length and proportionality . Moreover , the  localisation of the subjects wherein the Madonna was holding the child on her lap and  spot his  microscopical feet demonstrate the affectionate    relationship of mother and  boy . Also , the proportion was properly executed that emphasized  go on the link between the two figures . Meanwhile , the background is   budge integrity into two The first half is a  sensationalistic  fleeceable curtain with embellishments on the side . Because of the creases and folds , the curtain appeared to be  morose . The other part of the painting is a  ornament which was illustrated with  trilled mountains and extensive plains . The contrast of the foreground and the background , from  no-count to light , gave depth to the painting . Also , not  likewise  some(prenominal) elements were...If you want to get a full essay, order it on our website: 
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