Alfred Hitchcock s Rear Window - 1601 Words

Like many of his films, Alfred Hitchcock’s Rear Window (1954) is an intense study in the sometimes-jarring idiosyncrasies of its main character, L.B. Jeffries (James Stewart). Jeffries is an observer by nature, a professional photographer confined to his apartment by an injury, with only insurance company nurse Stella (Thelma Ritter) and his girlfriend, Lisa Fremont (Grace Kelly) for company. This limitation impels him to begin observing his neighbors, and he witnesses events that lead him to believe Lars Thorwald (Raymond Burr) has murdered his wide. However, Jeffries’ watchful habit raises serious questions about the relationships between neighbors and ethics of observation in densely-populated urban settings. Rear Window uses set design and disparate camera techniques to codify the acceptable and unacceptable ways in which a city dweller might observe their neighbors, based largely on level on intent. Hitchcock’s notoriously elaborate Rear Window set (under th e art direction of J. Macmillan Johnson and Hal Pereira) is so significant because it contains the entirety of the movie. The rest of the city is a mere suggestion, hinted at by cars and pedestrians passing by a narrow strip of alleyway. Therefore, the real analysis of city life that Rear Window explores is that of the relationship between neighbors. In his essay The Metropolis and Mental Life, Georg Simmel comments that the city dweller must avoid overstimulation by practicing â€Å"reserve† among others and that,Show MoreRelatedAnalysis Of Alfred Hitchcock s Rear Window1755 Words   |  8 Pagesable to pinpoint aspect of film studies that the average individual wouldn t have a clue about. Each film that we have viewed has had it s very own genre, director, and also time frame in which it took place. Throughout this essay you ll see the differences and slight similarities that are provided about two different films. â€Å"Rear Window† by Alfred Hitchcock which has a variety of different camera angles and sound differences unlike the film ,â€Å"Do Things The Right Way† by Spike Lee. â€Å"Do Things TheRead MoreAlfred Hitchcock s Rear Window1888 Words   |  8 PagesAlfred Hitchcock’s Rear Window, is the story of a photographer named L.B. Jeffries who is currently confined to a wheelchair because of a leg injury and therefore unable to leave his apartment. Out of boredom, he begins watching his neighbors, going as far as to name them and come up with scenarios for them. He seeming has all control and all from the comfort of his apartment. His girlfriend, Lisa, whom he deems â€Å"too perfect† and is unable to commit to her fully, is not as interesting as the livesRead MoreAnalysis Of Alfred Hitchcock s Rear Window940 Words   |  4 PagesIt is a Trap It is just as easy to fall into the trap of our voyeuristic society today as it was for the people of the 1950’s. In Alfred Hitchcock’s, â€Å"Rear Window† voyeurism is a major theme conveyed throughout the movie. J.B. Jefferies, Lisa, and Stella prove that human fascination with voyeurism is not only addicting, but over time becomes contagious and emotionally detrimental. In the beginning of the movie the audience is introduced to the main character, J.B. Jeffries. After an injury at workRead MoreAnalysis Of Alfred Hitchcock s Rear Window And The Magic Circle2158 Words   |  9 Pages Symbolism is heavily demonstrated in Alfred Hitchcock’s 1954 Rear Window and Question s 2015 The Magic Circle. Both works have strengthened the idea that movie directors or game developers narrative forms can virtually implant a part of the audience into the works and have a direct impact on the interpretations of them by using symbols. Conversely, Rear Window and The Magic Circle have their own unique narrative techniques in order to call forth the symbols of each work. Even thoughRead MoreAnalysis Of Alfred Hitchcock s Rear Window1988 Words   |  8 PagesStop Looking Outside: Gender Roles, Judging Others and Fear in Alfred Hitchcock’s â€Å"Rear Window† People like to watch other people and are often quick to make judgments from what they see. This is what L.B. â€Å"Jeff† Jeffries does Alfred Hitchcock’s â€Å"Rear Window†. Jeff is a wheelchair-bound photographer who is used to an active lifestyle. Because of his boredom, Jeff spends his time looking out his window and watching his neighbors go about their life. However, Jeff does more than watch, because he atRead MoreTechniques used in Alfred Hitchcocks The Rear Window1579 Words   |  4 PagesMarta Alfred Hitchcock was an amazing director and his films have lived on and are still thriving today due to the techniques he used in his films and the way he created them. He was known for taking the least probable scenarios and turning them into a masterpiece just by playing with light and form or angles. Some of these films are Psycho, Perfect Crime, The Man Who Knew Too Much and Rear Window. At first it was quite difficult to pinpoint a particular film to choose as he used brilliant techniquesRead MoreGender Roles In Alfred Hitchcocks Rear Window And Strangers On A Train1232 Words   |  5 Pagesmovies- old and new. In Alfred Hitchcock’s films, Rear Window and Strangers on a Train, Hitchcock begins his films representing women with the same characteristics as stated above. They are very stylish, attractive and presented as second-class individuals to males. But after examining these two films, Hitchcock does something that many directors in his time would not have dared to d o. By making the women the heroine and arguably the protagonist of the storyline, Hitchcock proves to challenge theRead MoreHow Do You Know You ve Witnessed A Murder?1410 Words   |  6 Pagestranslations. In Rear Window, Alfred Hitchcock, transformed Cornell Woolrich’s It Had to Be Murder, into a cinematic language by utilizing a combination of traditional and radical translations. By successfully creating two main characters, Stella and Lisa to replace Sam the Houseboy, Hitchcock explored multicultural boundaries while remaining faithful to original ideology of story line and appealing to the popular audience. The three characters that were pivotal to the successful translation of Rear WindowRead MoreAlfred Hitchcock s Psychological Pressure, Mystery, And Wit1430 Words   |  6 PagesAlfred Hitchcock is known as one of the greatest directors in the history of cinema. Hitchcock directed over fifty films, many of which remain popular to this day, including his stunning works Vertigo, North by Northwest, The Man Who Knew Too Much, and Psycho. Hitchcock’s use of suspense, psychological pressure, mystery, and wit intrigued the audiences of his day as well as audiences of the 21st century. These elements of Hitchcock’s films have also inspired the genre of horror films that many knowRead MoreEssay Rear Window, by Alfred Hitchcock626 Words   |  3 Pagesthe movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.   Ã‚  Ã‚  Ã‚  Ã‚  From the very beginning of Rear Window we encounter scenes where Hitchcock shows Stella